slumdog millionaire a novel

Vikas Swarup is an Indian diplomat who has served in Turkey, the United States, Ethiopia and Great Britain. He is presently posted in the Ministry of External Affairs in New Delhi.
Q & A
is being translated into twenty-five languages and is due to be made into both a film and a stage musical. Vikas Swarup is writing a second novel.

Acclaim for
Q & A:

'Not simply the story of a quiz, but rather a reminder of the various, often apparently random, ways in which knowledge can be acquired by the adventurous, the curious and the observant . . .

Swarup is an accomplished storyteller, and
Q & A
has all the immediacy and impact of an oral account.'

Daily Mail

'An inspired idea . . . Through Ram's life story, Swarup is able to give us snapshots of Indian society . . . at its most lurid and extreme. If the prose style suggests social realism, the spirit of the novel is cinematic, even cartoon-like . . . A broad and sympathetic humanity underpins the whole book. Perhaps that is why, when it was finally time for Ram's good luck to hold, I was moved as well as relieved'

Sunday Telegraph

'India is equally chaotic, enchanting and corrupt in this spirited novel'

Sunday Times

'The premise of Vikas Swarup's picaresque debut is enticing . . . His vivid characterisation covers the full social spectrum (prostitutes, glue-sniffers, film stars, diplomats, slum-dwellers), and paints a colourful, generous and admirably unvarnished portrait of contemporary India, where not all the poor are angels, not all the wealthy are villains'

Literary Review

'Gloriously fantastical . . . the flashbacks he relates build into a picture of his life and of his remorselessly tough world: a mafia underworld that cripples children and trains them as beggars, arrogant whites oppressing their servants, families who prostitute a daughter, the dreary meanness of the rich, the desperate criminal measures to which poverty drives ordinary people'

The Times

'I can see it all on the big screen now'

Mariella Frostrup 'Open Book' Radio Four

'This page-turning novel reels from farce to melodrama to fairytale.'

You Magazine

www.booksattransworld.co.uk

'More than a billion people live on less than a dollar a day. News like that could ruin your whole latte, but most of us are adept at ignoring such conditions . . . it takes more than a spoonful of sugar to get such medicine down, and Vikas Swarup provides a strange mixture of sweet and sour in this erratically comic novel . . . Through murders, robberies, rapes and close scrapes, Ram speaks in a voice that turns from wide-eyed innocence to moral outrage . . . but Ram never suggests the solution will come from a different political arrangement, more equitable

distribution of wealth or social revolution. The real question is whether individuals will choose to treat one another more humanely, more selflessly. You can guess his final answer'

Washington Post

'Swarup . . . writes humorously and keeps surprises coming. When it is turned into the movie it wants to be,
Q & A
will be a delight'

New York Times Book Review

'A picaresque ride through the underbelly of urban India where evil hides in the most ordinary places . . . Despite an overdose of darkness, of the evil's endless trysts with a boy, the novel is for the most part stripped of overt sentimentality. It is the terseness of narrative that gives the book a contemporaneity. It is the tale of the new millennium's just-turned adults, the heirs to midnight's overgrown children'
India Today

'Behind the gauze of playfulness and ironic description, the reader can't help but wonder whether Swarup is also trying to net a fish that's swimming at a deeper level of the water. For at its core, Thomas's story investigates the distinction made between knowledge and luck . . . a rollicking read as well as being a polished, varnished, finished work of impressive craftsmanship'

Hindustan Times

'Truly gripping . . . the character of the protagonist is an everyday person with an atypical take on life . . . it epitomizes all that life is for the common man in India, for whom even an honest victory is uncommon, almost met with ridicule and disbelief . . . Read it and treasure it'

Financial Express

'[For] galloping pace and sheer readability, you can't put this book down . . . Given the ingenious simplicity of the plot's framework – at once a comment on how TV contests pander to audiences in the age of avarice . . . he is also pointing at obvious ethical dilemmas in a country where divisions of caste, class and, above all, the wide abyss between rich and poor, nags at any notion of equality, education and social justice'

Outlook

'An enthusiastic debut worth devouring. Vikas Swarup weaves a delightful yarn . . . the story stays with the reader for its remarkable and magical story of a young boy who believes that "a waking dream is always more fleeting than a sleeping one". So go ahead and read this enchanting tale of the good over the baneful'

Sunday Tribune

'A bloody good book. No two ways about it . . . The characters we encounter in the novel, be it the guileless Salim, the dutiful Lajwanti, or Nita, the whore pining for redemption, are all stereotypical and yet entirely believable. It is easy to feel for them. It is also easy to wish for a ride into the sunset with them . . . a roller coaster ride – part quiz show, part morality tale'

Deccan Herald

'Riveting drama . . . Ram's life must pass through multiple filters, it must be told and retold in different ways. From the questions posed to him – and the record provided on the DVD – to his backgrounders for Smita, to the final tying up of all the loose ends, Ram is perhaps being put to a higher test. At the age of 18, his crowded life must be straightened out to disclose a compact honesty. For Swarup the quiz show is also a template to tell the story of modern India. It is a depiction with a moral edge'

Indian Express

'A polished debut . . . bang on the publisher's pulse. The linguistic style is simple, peppy and very

Life of Pi.
It is not often that we get such fast paced action, which, like a breathless express train, stops only at special stations, punch lines or when the quizmaster says, "You just won a 100

million rupees!"'

The Week

'Swarup has achieved a triumph with this thrilling, endearing work which gets into the heart and soul of modern India'

New Zealand Herald

'Just the book for a long journey. If you aren't going away somewhere, don't start if you intend to get any sleep at night'

SydneyMorning Herald

'Stunning first novel set in modern day India. A moving, dark comedy, that crosses social boundaries to paint a picture of India as we have never seen it before'

Manly Daily

'An intriguing story with a stinging touch of satire'

DailyTelegraph,
Australia

Q & A

Vikas Swarup

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Q&A A BLACK SWAN BOOK : 9780552772501

Originally published in Great Britain by Doubleday, a division of Transworld Publishers

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All the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.

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For my parents,

Vinod and Indra Swarup and my late grandfather, Shri Jagadish Swarup

PROLOGUE

I have been arrested. For winning a quiz show.

They came for me late last night, when even the stray dogs had gone off to sleep. They broke open my door, handcuffed me and marched me off to the waiting jeep with a flashing red light.

There was no hue and cry. Not one resident stirred from his hut. Only the old owl on the

tamarind tree hooted at my arrest.

Arrests in Dharavi are as common as pickpockets on the local train. Not a day goes by without some hapless resident being taken away to the police station. There are some who have to be physically dragged off by the constables, screaming and kicking all the while. And there are those who go quietly. Who expect, perhaps even wait for, the police. For them, the arrival of the jeep with the flashing red light is actually a relief.

In retrospect, perhaps I should have kicked and screamed. Protested my innocence, raised a stink, galvanized the neighbours. Not that it would have helped. Even if I had succeeded in waking some of the residents, they would not have raised a finger to defend me. With bleary eyes they would have watched the spectacle, made some trite remark like 'There goes another one,'

yawned, and promptly gone back to sleep. My departure from Asia's biggest slum would make no difference to their lives. There would be the same queue for water in the morning, the same daily struggle to make it to the seven-thirty local in time.

They wouldn't even bother to find out the reason for my arrest. Come to think of it, when the two constables barged into my hut, even I didn't. When your whole existence is 'illegal', when you live on the brink of penury in an urban wasteland where you jostle for every inch of space and have to queue even for a shit, arrest has a certain inevitability about it. You are conditioned to believe that one day there will be a warrant with your name on it, that eventually a jeep with a flashing red light will come for you.

There are those who will say that I brought this upon myself. By dabbling in that quiz show.

They will wag a finger at me and remind me of what the elders in Dharavi say about never

crossing the dividing line that separates the rich from the poor. After all, what business did a penniless waiter have to be participating in a brain quiz? The brain is not an organ we are authorized to use. We are supposed to use only our hands and legs.

If only they could see me answer those questions. After my performance they would have looked upon me with new respect. It's a pity the show has yet to be telecast. But word seeped out that I had won something. Like a lottery. When the other waiters heard the news, they decided to have a big party for me in the restaurant. We sang and danced and drank late into the night. For the first time we did not eat Ramzi's stale food for dinner. We ordered chicken biryani and seekh kebabs from the five-star hotel in Marine Drive. The doddery bartender offered me his daughter in marriage. Even the grouchy manager smiled indulgently at me and finally gave me my back wages. He didn't call me a worthless bastard that night. Or a rabid dog.

Now Godbole calls me that, and worse. I sit cross-legged in a ten-by-six-foot cell with a rusty metal door and a small square window with a grille, through which a shaft of dusty sunlight streams into the room. The lock-up is hot and humid. Flies buzz around the mushy remains of an over-ripe mango lying squished on the stone floor. A sad-looking cockroach lumbers up to my leg. I am beginning to feel hungry. My stomach growls.

I am told that I will be taken to the interrogation room shortly, to be questioned for the second time since my arrest. After an interminable wait, someone comes to escort me. It is Inspector Godbole himself.

Godbole is not very old, perhaps in his mid forties. He has a balding head and a round face dominated by a handlebar moustache. He walks with heavy steps and his overfed stomach

droops over his khaki trousers. 'Bloody flies,' he swears and tries to swat one circling in front of his face. He misses.

Inspector Godbole is not in a good mood today. He is bothered by these flies. He is bothered by the heat. Rivulets of sweat run down his forehead. He smears them off with his shirt sleeve. Most of all, he is bothered by my name. 'Ram Mohammad Thomas – what kind of a nonsense name is that, mixing up all the religions? Couldn't your mother decide who your father was?' he says, not for the first time.

I let the insult pass. It is something I have become inured to.

Outside the interrogation room two constables stand stiffly to attention, a sign that someone important is inside. In the morning they had been chewing
paan
and exchanging dirty jokes.

Godbole literally pushes me into the room, where two men are standing in front of a wall chart listing the total number of kidnappings and murders in the year. I recognize one of them. He is the same man, with long hair like a woman – or a rock star – who had been present during the recording of the quiz show, relaying instructions through a headset to the presenter. I don't know the other man, who is white and completely bald. He wears a mauvecoloured suit and a bright-orange tie. Only a white man would wear a suit and tie in this stifling heat. It reminds me of Colonel Taylor.

The ceiling fan is running at full speed, yet the room feels airless in the absence of a window.

Heat rises from the bleached white walls and is trapped by the low wooden ceiling. A long, thin beam bisects the room into two equal parts. The room is bare except for a rusty table in the centre with three chairs around it. A metal lampshade hangs directly over the table from the wooden beam.

Godbole presents me to the white man like a ringmaster introducing his pet lion. 'This is Ram Mohammad Thomas, Sir.'

The white man dabs his forehead with a handkerchief and looks at me as though I am a new

species of monkey. 'So this is our famous winner! I must say he looks older than I thought.' I try to place his accent. He speaks with the same nasal twang as the prosperous tourists I'd seen thronging Agra from far-off places like Baltimore and Boston.

The American eases himself into a chair. He has deep-blue eyes and a pink nose. The green veins on his forehead look like little branches. 'Hello,' he addresses me. 'My name is Neil Johnson. I represent NewAge Telemedia, the company that licenses the quiz. This is Billy Nanda, the

producer.'

I remain quiet. Monkeys do not speak. Especially not in English. He turns to Nanda. 'He

understands English, doesn't he?'

'Are you out of your mind, Neil?' Nanda admonishes him. 'How can you expect him to speak

English? He's just a dumb waiter in some godforsaken restaurant, for Chrissake!'

The sound of an approaching siren pierces the air. A constable comes running into the room and whispers something to Godbole. The Inspector rushes out and returns with a short, corpulent man dressed in the uniform of a top-level police officer. Godbole beams at Johnson, displaying his yellow teeth. 'Mr Johnson, Commissioner Sahib has arrived.'

Johnson rises to his feet. 'Thank you for coming, Mr Commissioner. I think you already know Billy here.'

The Commissioner nods. 'I came as soon as I got the message from the Home Minister.'

'Ah yes . . . He is an old friend of Mr Mikhailov's.'

'Well, what can I do for you?'

'Commissioner, I need your help on
W3B.'

'W3B?'

'Short for
Who Will Win A Billion?'

'And what's that?'

'It's a quiz show that has just been launched – in thirty-five countries – by our company. You may have seen our advertisements all over Mumbai.'

'I must have missed them. But why a billion?'

'Why not? Did you watch
Who Wants To Be A Millionaire?'

'Kaun Banega Crorepati?
That show was a national obsession. It was mandatory viewing in my family.'

'Why did you watch it?'

'Well . . . because it was so interesting.'

'Would it have been half as interesting if the top prize had been ten thousand instead of a million?'

'Well . . . I suppose not.'

'Exactly. You see, the biggest tease in the world is not sex. It's money. And the greater the sum of money,

the bigger the tease.'

'I see. So who's the quiz master on your show?'

'We have Prem Kumar fronting it.'

'Prem Kumar? That B-grade actor? But he's not half as famous as Amitabh Bachchan, who

presented
Crorepati.'

'Don't worry, he will be. Of course, we were partly obliged to choose him because he has a 29

per cent stake in the Indian subsidiary of New Age Telemedia.'

'OK. I get the picture. Now how does this guy, what's his name, Ram Mohammad Thomas, fit

into all this? 'He was a participant in our fifteenth episode last week.'

'And?'

'And answered all twelve questions correctly to win a billion rupees.'

'What? You must be joking!'

'No, it's no joke. We were as amazed as you are. This boy is the winner of the biggest jackpot in history. The episode has not been aired yet, so not many people know about it.'

'OK. If you say he won a billion, he won a billion. So what's the problem?'

Johnson pauses. 'Can Billy and I talk to you in private?'

The Commissioner motions Godbole to leave. The Inspector glowers at me and exits. I remain in the room, but no one takes any notice. I am just a waiter. And waiters don't understand English.

'OK. Now tell me,' says the Commissioner.

'You see, Commissioner, Mr Mikhailov is not in a position to pay a billion rupees right now,'

says Johnson.

'Then why did he offer it in the first place?'

'Well . . . it was a commercial gimmick.'

'Look, I still don't understand. Even if it was a gimmick, won't your show do even better now that someone has won the top prize? I remember that whenever a contestant won a million on

Who Wants To Be A Millionaire?,
viewing figures doubled.'

'It's the timing, Commissioner, the timing. Shows like
W3B
cannot be dictated by chance, by a roll of the dice. They have to follow a script. And according to our script, a winner was not due for at least eight months, by which time we would have recouped most of our investment through ad revenues. But now this fellow Thomas has wrecked all our plans.'

The Commissioner nods. 'OK, so what do you want me to do?'

'I want your help to prove that Thomas cheated on the show. That he couldn't have known the answers to all twelve questions without an accomplice. Just think. He's never been to school.

He's never even read a newspaper. There's no way he could have won the top prize.'

'Well . . . I'm not so sure.' The Commissioner scratches his head. 'There have been cases of boys from poor backgrounds turning out to be geniuses in later life. Wasn't Einstein himself a high-school drop-out?'

'Look, Mr Commissioner, we can prove right now that this guy is no Einstein,' says Johnson. He gestures to Nanda.

Nanda approaches me, running his fingers through his luxuriant hair. He addresses me in Hindi.

'Mr Ram Mohammad Thomas, if you were indeed brilliant enough to win on our show, we

would like you to prove it by taking part in another quiz for us, now.

These will be very simple questions. Almost anyone of average intelligence will know the

answers.' He sits me down on a chair. 'Are you ready? Here comes question number one. What is the currency of France? The choices are a) Dollar, b) Pound, c) Euro, or d) Franc.'

I keep silent. Suddenly, the Commissioner's open palm swoops down and hits me tightly across my cheek. 'Bastard, are you deaf? Answer or I'll break your jaw,' he threatens.

Nanda starts hopping around like a madman – or a rock star. 'Pleeeeze, can we do this the civilized way?' he asks the Commissioner. Then he looks at me. 'Yes? What's your answer?'

'Franc,' I reply sullenly.

'Wrong. The correct answer is Euro. OK, question number two. Who was the first man to set foot on the moon? Was it a) Edwin Aldrin, b) Neil Armstrong, c) Yuri Gagarin, or d) Jimmy Carter?'

'I don't know.'

'It was Neil Armstrong. Question number three. The Pyramids are situated in a) New York, b) Rome, c) Cairo, or d) Paris?'

'I don't know.'

'In Cairo. Question number four. Who is the President of America? Is it a) Bill Clinton, b) Colin Powell, c) John Kerry, or d) George Bush?'

'I don't know.'

'It's George Bush. I am sorry to say, Mr Thomas, that you didn't get a single answer right.' Nanda turns to the Commissioner, and reverts to English. 'See, I told you this guy's a moron. The only way he could have answered those questions last week was by cheating.'

'Any idea how he could have cheated?' asks the Commissioner.

'That's what beats me. I have got you two copies of the DVD footage. Our experts have gone over it with a microscope, but so far we have got zilch. Something will turn up eventually.'

The hunger in my belly has now risen to my throat, making me dizzy. I double up, coughing.

Johnson, the baldy American, looks at me sharply. 'Do you remember, Mr Commissioner, that case of the Army Major who won a million pounds on
Who Wants To Be A Millionaire?
It occurred in England, a few years ago. The company refused to pay. The police launched an

investigation and succeeded in convicting the Major. It turned out he had a professor as an accomplice in the audience who signalled the correct answers through coded coughs. It's a cert something similar has happened here.'

'So do we need to look out for a cougher in the audience?'

'No. There's no evidence of coughing. He must have used some other signal.'

'What about being buzzed by a pager or mobile?'

'No. We are pretty sure he had no gadgets on him. And neither pager nor cellphone would have worked in the studio.'

The Commissioner is struck by an idea. 'Do you think he might have a memory chip implanted in the brain?'

Johnson sighs. 'Mr Commissioner, I think you have been watching too many science-fiction

films. Look, whatever it is, you have to help us find it. We don't know who the accomplice was.

We don't know what signalling system was used. But I am one hundred per cent sure this boy is a con. You have to help us prove it.'

'Have you considered buying him off?' the Commissioner suggests hopefully. 'I mean he

probably doesn't even know the number of zeros in a billion. I imagine he would be quite happy if you threw him just a couple of thousand rupees.'

I feel like punching the Commissioner's lights out. Admittedly, before the quiz show I didn't know the value of a billion. But that's history. Now I know. And I am determined to get my prize. With all nine zeros.

Johnson's answer reassures me. 'We can't do that,' he says. 'It would make us vulnerable to a law suit. You see, he is either a bona fide winner or a crook. Therefore either he gets a billion or he goes to jail. There's no halfway house here. You have to help me ensure he goes to jail. Mr Mikhailov would have a coronary if he had to shell out a billion now.'

The Commissioner looks Johnson directly in the eye. 'I understand your point,' he drawls. 'But what's in it for me?'

As if on cue, Johnson takes him by the arm into a corner. They speak in hushed tones. I catch just three words: 'ten per cent'. The Commissioner is clearly excited by what he is told. 'OK, OK, Mr Johnson, consider your job done. Now let me call in Godbole.'

The Inspector is summoned. 'Godbole, what have you got out of him so far?' the Commissioner asks.

Godbole gazes at me balefully. 'Nothing, Commissioner Sahib. The bastard keeps on repeating the same story that he just "knew" the answers. Says he got lucky.'

'Lucky, eh?' sneers Johnson.

'Yes, Sir. I have so far not used third degree, otherwise he would be singing like a canary by now. Once you permit me, Sir, I can get the names of all his accomplices out in no time.'

The Commissioner looks quizzically at Johnson and Nanda. 'Are you comfortable with that?'

Nanda shakes his head vigorously, sending his long hair flying. 'No way. No torture. The papers have already got wind of the arrest. If they find out he has been mistreated, we will be finished.

I've enough problems on my plate already without having to worry about being sued by a bloody civil rights NGO.'

The Commissioner pats him on the back. 'Billy, you have become just like the Americans. Don't worry. Godbole is a professional. There won't be a single mark on the boy's body.'

Bile rises in my stomach like a balloon. I feel like retching.

The Commissioner prepares to depart. 'Godbole, by tomorrow morning I want the name of the collaborator and full details of the MO. Use any means necessary to extract the information. But be careful. Remember, your promotion depends on this.'

'Thank you, Sir. Thank you.' Godbole puts on a plastic smile. 'And don't worry, Sir. By the time I am through with this boy, he will be ready to confess the murder of Mahatma Gandhi.'

I try to recall who murdered Mahatma Gandhi, who is known to have said 'Hey Ram!' just before dying. I remember this because I had exclaimed, 'That's my name!' And Father Timothy had

gently explained that it was the name of Lord Ram, the Hindu god who had been banished into the jungle for fourteen years.

Godbole, meanwhile, has returned after seeing off the Commissioner and the two men. He

wheezes into the interrogation room and slams the door shut. Then he snaps his fingers at me.

'OK, motherfucker, strip!'

* * *

Sharp, throbbing pain oozes from every pore of my body. My hands are tied to the wooden beam with coarse rope. The beam is nine feet above the ground, so my legs dangle in the air and my hands and feet feel like they are being pulled apart. I am completely naked. The ribs on my chest jut out like those on starving African babies.

Godbole has been punishing me for more than an hour but he has still not finished. Every half-hour or so he comes up with a new instrument of torture. First he inserted a wooden rod into my anus. With chilli powder smeared on it. It felt as if a molten, searing spike was being driven through my backside. I choked and gagged with pain. Then he thrust my head into a bucket of water and held it there till my lungs were about to explode. I spluttered and gasped and quite nearly drowned.

Now he is holding a live wire in his hand like a sparkler on Diwali. He dances around me like a drunken boxer and suddenly lunges at me. He jabs at the sole of my left foot with the naked wire.

The electric current shoots up my body like hot poison. I recoil and convulse violently.

Godbole shouts at me. 'Bastard, you still won't tell me what trick you used on the show? Who told you the answers? Tell me, and this torture will end. You will get a nice hot meal. You can even go home.'

But home seems like a far-off place right now. And a hot meal would make me vomit. If you don't eat for a long time, the hunger just shrivels and dies, leaving only a dull ache in the pit of your stomach.

The first wave of nausea is beginning to assail me now. I am blacking out. Through a thick mist, I see a tall woman, with flowing black hair. The wind is howling behind her, making her jet-black hair fly across her face, obscuring it. She is wearing a white sari of thin fabric that flutters and vibrates like a kite. She opens her arms and cries, 'My son . . . my son . . . what are they doing to you?'

'Mother!' I scream and reach out for her across the chasm of mist and fog, but Godbole grabs me roughly by the neck. I feel as if I am running without moving forward. He slaps me hard and the blackness lifts.

Godbole is holding out the pen once again. It is black with a shiny golden nib. Blue ink glistens at its tip. 'Sign the confession statement,' he orders.

The confession statement is quite simple. 'I, Ram Mohammad Thomas, do hereby state that on 10 July I was a participant in the quiz show
Who Will Win A Billion?
I confess that I cheated. I did not know the answers to all the questions. I hereby withdraw my claim to the top prize or any other prize. I beg forgiveness. I am making this statement in full control of my senses and without any undue pressure from anyone. Signed: Ram Mohammad Thomas.'

I know it is only a question of time before I sign this statement. I will not be able to hold out much longer. We were always told never to pick a quarrel with the police. Street boys like me come at the bottom of the food chain. Above us are the petty criminals, like pickpockets. Above them come the extortionists and loan sharks. Above them come the dons. Above them come the big business houses. But above all of them are the police. They have the instruments of naked power. And there is nobody to check them. Who can police the police? So I will sign the

statement. After ten, maybe fifteen, more slaps. After five, perhaps six, more shocks.

All of a sudden, I hear a commotion at the door. Constables are shouting. Voices are raised. The door shudders and slams open. A young woman bursts into the room. She is of average height and slim build. She has nice teeth and lovely arched eyebrows. In the middle of her forehead she wears a large round blue
bindi.
Her dress consists of a white salwar kameez, a blue
dupatta
and leather sandals. Her long black hair is loose. A brown bag hangs from her left shoulder. There is a certain presence about her.

Godbole is so flustered he touches the live wire to his own hand, and yelps in pain. He is about to grab the intruder by the collar, then realizes she is a woman. 'Who the hell are you, bursting in like this? Can't you see I am busy?'

'My name is Smita Shah,' the woman announces calmly to Godbole. 'I am Mr Ram Mohammad

Thomas's lawyer.' Then she looks at me, at my condition, and hastily averts her eyes.

Godbole is stunned. He is so stunned that he does not notice that I am equally stunned. I have never seen this woman before. I don't have money to hire a taxi. I can hardly hire a lawyer.

'Come again?' Godbole croaks. 'You are his lawyer?'

'Yes. And what you are doing to my client is completely illegal and unacceptable. I want an immediate end to this treatment. He reserves the right to prosecute you under sections 330 and 331 of the Indian Penal Code. I demand to be shown the papers regarding his arrest. I see no evidence of any FIR having been recorded. No grounds for arrest have been communicated as required under Article 22 of the Constitution and you are in breach of Section 50 of the CrPC.

Now unless you can produce his arrest warrant, I am removing my client from the police station to consult with him in private.'

'Er . . . mmm . . . I . . . I will have to speak to . . . to the Commissioner. Please wait,' is all Godbole can say. He looks at the woman with a helpless expression, shakes his head, and slinks out of the room.

I am impressed. I didn't know lawyers wielded such power over the police. The food chain will have to be revised.

I don't know at what point Godbole returns to the room, what he says to the lawyer, or what the lawyer says to him, because I have passed out. From pain and hunger and happiness.

* * *

I am sitting on a leather couch with a cup of hot, steaming tea in my hands. A rectangular desk is strewn with papers. On top is a glass paperweight and a red table lamp. The walls of the room are painted rose pink. The shelves are lined with thick black books with gold letters on the spines. There are framed certificates and diplomas on the walls. A potted money plant grows sideways in one corner of the room.

Smita returns with a plate and a glass in her hands. I smell food. 'I know you must be hungry, so I've brought you some chapattis, some mixed vegetables and a Coke. It was all I had in my fridge.'

I grasp her hand. It feels warm and moist. 'Thank you,' I say. I still don't know how she got to the police station, or why. All she has told me is that she read about my arrest in the papers, and came as soon as she could. Now I am at her house in Bandra. I will not ask her when she brought me here, or why. One doesn't question a miracle.

I begin eating. I eat all the chapattis. I polish off all the vegetables. I drink all the Coke. I eat till my eyes bulge out.

* * *

It is late evening now. I have eaten and slept. Smita is still with me, but now I am in her

bedroom, sitting on a large bed with a blue bedspread. Her bedroom is different from that of my former employer, the film star Neelima Kumari. Instead of the huge mirrors and trophies and acting awards lining the shelves, there are books and a large brown teddy bear with glass eyes.

But, like Neelima, she has a Sony TV and even a DVD player.

Smita is sitting with me on the edge of the bed holding a disc case in her fingers. 'Look, I've managed to get a copy of your show's DVD footage. Now we can go over it with a toothcomb. I want you to explain to me exactly how you came to answer all those questions. And I want you to tell me the truth.'

'The truth?'

'Even if you did cheat, I am here to protect you. What you tell me cannot be used against you in a court of law.'

The first doubts start creeping into my mind. Is this woman too good to be true? Has she been planted by that baldy Johnson to ferret out incriminating truths from me? Can I trust her?

Time to take a decision. I take out my trusted one-rupee coin. Heads I cooperate with her. Tails I tell her ta-ta. I flip the coin. It is heads.

'Do you know Albert Fernandes?' I ask her.

'No. Who is he?'

'He has an illegal factory in Dharavi which makes watch-strap buckles.'

'And?'

'He plays matka.'

'Matka?'

'Illegal gambling with cards.'

'I see.'

'So Albert Fernandes plays matka and last Tuesday he had an amazing game.'

'What happened?'

'He came up with fifteen winning hands in a row. Can you believe it? Fifteen hands in a row. He cleaned out fifty thousand rupees that evening.'

'So? I still don't see the connection.'

'Don't you see? He got lucky in cards. I got lucky on the show.'

'You mean you just guessed the answers and by pure luck got twelve out of twelve correct?'

'No. I didn't guess those answers. I knew them.'

'You
knew
the answers?'

'Yes. To all the questions.'

'Then where does luck come into the picture?'

'Well, wasn't I lucky that they only asked those questions to which I knew the answers?'

The look of utter disbelief on Smita's face says it all. I can take it no longer. I erupt in sadness and anger. 'I know what you are thinking. Like Godbole, you wonder what I was doing on that quiz show. Like Godbole, you believe I am only good for serving chicken fry and whisky in a restaurant. That I am meant to live life like a dog, and die like an insect. Don't you?'

'No, Ram.' She grasps my hand. 'I will never believe that. But you must understand. If I am to help you, I have to know how you won that billion. And I confess, I find it difficult to

comprehend. Heavens, even I couldn't answer half those questions.'

'Well, Madam, we poor can also ask questions and demand answers. And I bet you, if the poor conducted a quiz, the rich wouldn't be able to answer a single question. I don't know the currency of France, but I can tell you how much money Shalini Tai owes our neighbourhood

moneylender. I don't know who was the first man on the moon, but I can tell you who was the first man to produce illegal DVDs in Dharavi. Could you answer these questions in my quiz?'

'Look, Ram, don't get agitated. I meant no offence. I really want to help you. But if you didn't cheat, I must know how you knew.'

'I cannot explain.'

'Why?'

'Do you notice when you breathe? No. You simply know that you are breathing. I did not go to school. I did not read books. But, I tell you, I knew those answers.'

'So do I need to know about your entire life to understand the genesis of your answers?'

'Perhaps.'

Smita nods her head. 'I think that is the key. After all, a quiz is not so much a test of knowledge as a test of memory.' She adjusts her blue
dupatta
and looks me in the eye. 'I want to listen to your memories. Can you begin at the beginning?'

'You mean the year I was born? Year number one?'

'No. From question number one. But before we start, promise me, Ram Mohammad Thomas, that you will tell me the truth.'

'You mean like they say in the movies, "The truth, the whole truth and nothing but the truth"?'

'Exactly.'

I take a deep breath. 'Yes, I promise. But where is your Book of Oaths? The Gita, the Koran or the Bible, any one will do.'

'I don't need a book. I am your witness. Just as you are mine.' Smita takes the shiny disc from its cover and slips it into the DVD player.

THE DEATH OF A HERO

The third bell has sounded. The purple velvet curtain is about to be raised. The lights are progressively dimming, till only the red signs showing EXIT remain, glowing like embers in the darkened hall. Popcorn sellers and cold-drink vendors begin to leave. Salim and I settle down in our seats.

The first thing you must know about Salim is that he is my best friend. The second is that he is crazy about Hindi films. But not all Hindi films. Just the ones featuring Armaan Ali.

They say that first there was Amitabh Bachchan. Then there was Shahrukh Khan. Now there is Armaan Ali. The ultimate action hero. The Indian Greek God. The heart-throb of millions.

Salim loves Armaan. Or, more accurately, he worships Armaan. His tiny room in the chawl is a shrine. It is lined with posters of all kinds depicting the hero in various poses. Armaan in a leather jacket. Armaan on a motorbike. Armaan with his shirt off, baring his hairy chest. Armaan with a gun. Armaan on a horse. Armaan in a pool surrounded by a bevy of beauties.

We are occupying seats A21 and A22 in the very first row of the Dress Circle in Regal Talkies in Bandra. We shouldn't really be sitting here. The tickets in my front pocket do not say DRESS

CIRCLE RS.150. They say FRONT STALLS Rs.25. The usher was in a good mood today and

did us a favour. He told us to go and enjoy the balcony, because the stalls were practically deserted. Even the balcony is almost empty. Apart from Salim and me, there are no more than two dozen people in the rows ahead of us.

When Salim and I go to the movies, we usually sit in the front stalls. It enables us to make catcalls and whistle. Salim believes the nearer you sit to the screen, the closer you are to the action. He says he can lean forward and almost touch Armaan. He can count the veins on

Armaan's biceps, he can see the whites of Armaan's hazel-green eyes, the fine stubble on

Armaan's cleft chin, the little black mole on Armaan's chiselled nose.

I am not particularly fond of Armaan Ali. I think he acts the same way in every movie. But I, too, like to sit in the front rows, as close to the giant screen as possible. The heroine's breasts appear more voluptuous from there.

The curtain has now lifted and the screen flickers to life. First we have the advertisements. Four sponsored by private companies and one by the government. We are told how to come first at school and become a champion in cricket by eating Corn Flakes for breakfast. How to drive fast cars and win gorgeous girls by using Spice Cologne. ('That's the perfume used by Armaan,'

exclaims Salim.) How to get a promotion and have shiny white clothes by using Roma soap.

How to live life like a king by drinking Red & White Whisky. And how to die of lung cancer by smoking cigarettes.

After the adverts, there is a little pause while the reels are changed. We cough and clear our throats. And then the censor certificate appears on the cinemascope screen. It tells us that the film has been certified U/A, has seventeen reels and a length of 4,639.15 metres. The certificate is signed by one Mrs M. Kane, Chairman of the Censor Board. She is the one who signs all

censor certificates. Salim has often asked me about this lady. He really envies her job. She gets to see Armaan's pictures before anyone else.